There is no questioning that the French artist and designer Magali Brueder is exceptionally talented. Her evocative paintings have the power to whisk us away from yellow-lit office interiors or cozy bedsheets in the depths of winter, transporting us to the wilderness of the French countryside. Applying soft, peachy colours to dusky European mountains, seas and skies, Magali’s paintings are so beautiful, they make us ooze with ASMR-like tingly feelings.
“I love printmaking and screen printing,” says the illustrator, “but the processes are often too complicated and expensive so I tried using Risograph printing for my drawings.” Satisfied with the results, Magali opened an online shop which, to this day, provides a “pleasant and important alternative to freelance design work.”
There is no questioning that the French artist and designer Magali Brueder is exceptionally talented. Her evocative paintings have the power to whisk us away from yellow-lit office interiors or cozy bedsheets in the depths of winter, transporting us to the wilderness of the French countryside. Applying soft, peachy colours to dusky European mountains, seas and skies, Magali’s paintings are so beautiful, they make us ooze with ASMR-like tingly feelings.
“I love printmaking and screen printing,” says the illustrator, “but the processes are often too complicated and expensive so I tried using Risograph printing for my drawings.” Satisfied with the results, Magali opened an online shop which, to this day, provides a “pleasant and important alternative to freelance design work.”
There is no questioning that the French artist and designer Magali Brueder is exceptionally talented. Her evocative paintings have the power to whisk us away from yellow-lit office interiors or cozy bedsheets in the depths of winter, transporting us to the wilderness of the French countryside. Applying soft, peachy colours to dusky European mountains, seas and skies, Magali’s paintings are so beautiful, they make us ooze with ASMR-like tingly feelings.
“I love printmaking and screen printing,” says the illustrator, “but the processes are often too complicated and expensive so I tried using Risograph printing for my drawings.” Satisfied with the results, Magali opened an online shop which, to this day, provides a “pleasant and important alternative to freelance design work.”
— I started the brand after finishing my studies at Tillskärarakademin and have previously released two collections per year. However, since the beginning of last year I have made a couple of changes in the brand structure which include moving away from seasonal collections and to start making one off-pieces. This has proved very promising and last year I was offered a presentation in London during LFW and a runway show for SS20 in Moscow during MBFW.
The new SS20 collection is called Picking flowers and Thieving.
— I have decided to separate it into two different campaigns and this one focuses on the Thieving part, tells Sjunnesson, continuing,
— I have previously been working with co-designing and for this season I wanted to develop that concept further, from being between designer and wearer to co-designing between wearer and wearer. In the campaign, models Victor and Elias are fighting over their clothes. My main inspiration has been clothes swapping and since the pieces are fully made of Velcro two people can swap clothes by simply passing each other. Accessories such as bags, pockets and woven patches can as well be attached and combined into countless different looks. I am very intrigued by the thought of people dressing one another on the streets, unconsciously or consciously.
MLTV SS20. Sjunnesson tells how she feels there is a lot of potential in the co-designing theme. ”Environmentally to mention one, and I want to continue exploring it. I am planning a show in Stockholm this fall which will be a continuation of this collection.” Photography: Matilda Engström
— I started the brand after finishing my studies at Tillskärarakademin and have previously released two collections per year. However, since the beginning of last year I have made a couple of changes in the brand structure which include moving away from seasonal collections and to start making one off-pieces. This has proved very promising and last year I was offered a presentation in London during LFW and a runway show for SS20 in Moscow during MBFW.
The new SS20 collection is called Picking flowers and Thieving.
— I have decided to separate it into two different campaigns and this one focuses on the Thieving part, tells Sjunnesson, continuing,
— I have previously been working with co-designing and for this season I wanted to develop that concept further, from being between designer and wearer to co-designing between wearer and wearer. In the campaign, models Victor and Elias are fighting over their clothes. My main inspiration has been clothes swapping and since the pieces are fully made of Velcro two people can swap clothes by simply passing each other. Accessories such as bags, pockets and woven patches can as well be attached and combined into countless different looks. I am very intrigued by the thought of people dressing one another on the streets, unconsciously or consciously.
MLTV SS20. Sjunnesson tells how she feels there is a lot of potential in the co-designing theme. ”Environmentally to mention one, and I want to continue exploring it. I am planning a show in Stockholm this fall which will be a continuation of this collection.” Photography: Matilda Engström
— I started the brand after finishing my studies at Tillskärarakademin and have previously released two collections per year. However, since the beginning of last year I have made a couple of changes in the brand structure which include moving away from seasonal collections and to start making one off-pieces. This has proved very promising and last year I was offered a presentation in London during LFW and a runway show for SS20 in Moscow during MBFW.
The new SS20 collection is called Picking flowers and Thieving.
— I have decided to separate it into two different campaigns and this one focuses on the Thieving part, tells Sjunnesson, continuing,
— I have previously been working with co-designing and for this season I wanted to develop that concept further, from being between designer and wearer to co-designing between wearer and wearer. In the campaign, models Victor and Elias are fighting over their clothes. My main inspiration has been clothes swapping and since the pieces are fully made of Velcro two people can swap clothes by simply passing each other. Accessories such as bags, pockets and woven patches can as well be attached and combined into countless different looks. I am very intrigued by the thought of people dressing one another on the streets, unconsciously or consciously.
MLTV SS20. Sjunnesson tells how she feels there is a lot of potential in the co-designing theme. ”Environmentally to mention one, and I want to continue exploring it. I am planning a show in Stockholm this fall which will be a continuation of this collection.” Photography: Matilda Engström
— I have previously been working with co-designing and for this season I wanted to develop that concept further, from being between designer and wearer to co-designing between wearer and wearer. In the campaign, models Victor and Elias are fighting over their clothes. My main inspiration has been clothes swapping and since the pieces are fully made of Velcro two people can swap clothes by simply passing each other. Accessories such as bags, pockets and woven patches can as well be attached and combined into countless different looks. I am very intrigued by the thought of people dressing one another on the streets, unconsciously or consciously.
MLTV SS20. Sjunnesson tells how she feels there is a lot of potential in the co-designing theme. ”Environmentally to mention one, and I want to continue exploring it. I am planning a show in Stockholm this fall which will be a continuation of this collection.” Photography: Matilda Engström
Something that says quite a lot about the brand and its values. In today’s high-speed and high-tech world of erratic fashion Johannes Adele wish to take a step back. They let design and communication take the time it requires to deliver a clear message and an artistic vision of modern and traditional tailoring.
The production of the clothes is transparent, from where the fabrics come from whether it be Sweden, France, Italy or India, to where the garments are made. Production is placed in Portugal and the duo pay regular visits to the factory to personally oversee the promise of sustainable quality and workmanship. With the future in mind, awareness and aesthetics go hand in hand for these designers. Original print designs and a large part of the dying is done in-house at the studio in France.
They have a desire to experiment and the will to share something seldom seen in the world of fashion: a beauty more natural and alive than ever before. And this ambition will not be rushed.
Something that says quite a lot about the brand and its values. In today’s high-speed and high-tech world of erratic fashion Johannes Adele wish to take a step back. They let design and communication take the time it requires to deliver a clear message and an artistic vision of modern and traditional tailoring.
The production of the clothes is transparent, from where the fabrics come from whether it be Sweden, France, Italy or India, to where the garments are made. Production is placed in Portugal and the duo pay regular visits to the factory to personally oversee the promise of sustainable quality and workmanship. With the future in mind, awareness and aesthetics go hand in hand for these designers. Original print designs and a large part of the dying is done in-house at the studio in France.
They have a desire to experiment and the will to share something seldom seen in the world of fashion: a beauty more natural and alive than ever before. And this ambition will not be rushed.
Something that says quite a lot about the brand and its values. In today’s high-speed and high-tech world of erratic fashion Johannes Adele wish to take a step back. They let design and communication take the time it requires to deliver a clear message and an artistic vision of modern and traditional tailoring.
The production of the clothes is transparent, from where the fabrics come from whether it be Sweden, France, Italy or India, to where the garments are made. Production is placed in Portugal and the duo pay regular visits to the factory to personally oversee the promise of sustainable quality and workmanship. With the future in mind, awareness and aesthetics go hand in hand for these designers. Original print designs and a large part of the dying is done in-house at the studio in France.
They have a desire to experiment and the will to share something seldom seen in the world of fashion: a beauty more natural and alive than ever before. And this ambition will not be rushed.
